Recounts the largest migration movement in history in which 55 million Europeans left their home countries and set off to America.

A large chemical company in southern Germany is experiencing strange glitches in its data processing. A hacker has infiltrated the computer system and, for example, ordered 9,999 rhesus monkeys instead of 100, or had 500 marks transferred to all the secretaries. A prankster, perhaps, but still dangerous. CEO Korten hires private detective Selb from Mannheim to investigate the case.

Inspired by popular suspense short stories and anthology series like "The Twilight Zone," "The Nicest People in the World" confronts us with the supernatural and tackles the issues of our time in an exciting, frightening and satirical way. The teenager Lill runs like a ghostly thread through the four seemingly self-contained stories. But what do a crossbow, a manga comic and a video game have to do with it?

The tormented life of Dante Alighieri, from solitary childhood to death in exile, seen through Giovanni Boccaccio’s journey to rehabilitate his memory.

TikTok’s explosive success isn’t just the triumph of a single company. The video platform also holds major political significance for its country of origin—China—challenging the United States’ long-standing dominance in the digital sphere. In this new power struggle between the two global giants, the battle centers around the collection and use of personal data...

A woman travels to New Zealand for the purpose of visiting his daughter. Give the fact that your company is interested in buying the farm where the girl works. But when her daughter announces the unexpected commitment to the son of the owner of the farm, a series of unexpected events completely change the two families.

A TV Dante, produced by Britain’s Channel Four during the 1980s and aired in Britain in 1990, presents the first eight cantos of the Inferno. 　　Co-directed by Peter Greenaway and Tom Phillips. Phillips, a composer, artist and critic, is perhaps best known for his interest in the art of the page. His 1983 translation of the Inferno is used for the production. (The rest of the Inferno has been divided among directors Raul Ruiz, Terry Gilliam, Zbig Ribzynski and Nagisa Oshima) 　　The title of A TV Dante was clearly studied to put in play the high cultural register now evoked by the name ‘Dante’ and the low cultural register evoked by ‘TV. 　　Review 　　Cantos 1 - 8, co-directed by Tom Phillips and Peter Greenaway, was shown on television and later released on video in UK. Ruiz’s casting of his native Chile as the inferno visited by Dante and Virgil in Cantos 9 - 14 (uploaded here) was met with criticism and never broadcast or released on VHS in Europe. Ruiz’s series later found a life in Latin America where it was eventually shown on television where this version comes from. The remaining Cantos 15-34 were never made..

The tormented life of Dante Alighieri, from solitary childhood to death in exile, seen through Giovanni Boccaccio’s journey to rehabilitate his memory.

The tormented life of Dante Alighieri, from solitary childhood to death in exile, seen through Giovanni Boccaccio’s journey to rehabilitate his memory.

A TV Dante, produced by Britain’s Channel Four during the 1980s and aired in Britain in 1990, presents the first eight cantos of the Inferno. 　　Co-directed by Peter Greenaway and Tom Phillips. Phillips, a composer, artist and critic, is perhaps best known for his interest in the art of the page. His 1983 translation of the Inferno is used for the production. (The rest of the Inferno has been divided among directors Raul Ruiz, Terry Gilliam, Zbig Ribzynski and Nagisa Oshima) 　　The title of A TV Dante was clearly studied to put in play the high cultural register now evoked by the name ‘Dante’ and the low cultural register evoked by ‘TV. 　　Review 　　Cantos 1 - 8, co-directed by Tom Phillips and Peter Greenaway, was shown on television and later released on video in UK. Ruiz’s casting of his native Chile as the inferno visited by Dante and Virgil in Cantos 9 - 14 (uploaded here) was met with criticism and never broadcast or released on VHS in Europe. Ruiz’s series later found a life in Latin America where it was eventually shown on television where this version comes from. The remaining Cantos 15-34 were never made..